Glamour Photographers

Glamour Photographer



Glamour Photographers - ZIGZAG BODY-LINE Posing Models Techniques


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By : Syahrul Fitri

Its definite challenge to a director's ability in posing models and camera as well as to the model's ability to create and visualize position from the camera's view. Experience has brought the knowledge , what can happen to the body-lines, in these positions. Watched distortion dominate the picture as the feet come closer to the camera and the head shrivels away. One end appeared tilted or angled as the body turned, sometimes only a matter of inches, away from the camera.

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Perspective problems decrease as the distance increases between the subject and the camera. But that it isn't always possible to work at a sufficient distance to prevent distortion, Thus, to help with the majority of your actual sittings. So, let us confine our posing area, as much as possible, between imaginary panes of glass. Within this sandwich, we will find ample opportunity to expand posing ideas.

zigzag body positions that their contracted postures must be considered and classified by the angles they form, the degree of each and their relationship to each other and to the page. in zigzag silhouettes are formed, one at the hip and one at the knee.

in zigzag silhouettes vary visually in importance by their relationship to other elements in the picture. If at least two of these lines are parallel to the page or prop-lines, their position acquires significance and impact.

The length of any one of the body lines is at its fullest when it is presented in a side-view to the camera. If a line is foreshortened, be sure the change is compatible with the rest of the picture.

This simple count-down before shooting as Glamour Photographers .

5 - 4 - 3 - 2 - 1 - click!

5. views. The body must be changed gingerly from side to ¾ or full-front and back views, When posing models, as distortion can become quite a problem. The side-view presents the fewest problems in the zigzag silhouette.
4 limbs. Since the full length of the body is contracted Both the legs and the arms offer maximum advantages for variation in zigzag positions. They usually take up a greater portion of the picture space also.
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3 p's (all external elements). Purpose, Props and Position of the camera each assumes vital meaning, especially the last two. The support from which the position stems is the most important prop in the picture.
2 tracks. Shoulder-hip relationships are of utmost value in varying the zigzag figure.
1 body-line. Although the body-line in the zigzag silhouette is in another form it is still extended and contracted by varying the degree of the angles .
This is a great shape to use when posing models, and will make a great picture!

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